What Doesn’t Kill You Makes You Blacker

Review

“His essays are pointed, ruminative, often barbed and funny reflections on how the fact of his skin color has posed particular lifelong challenges, questions, and anxieties.” (“Weekend Edition,” NPR)

“With candor, self-awareness and considerable humor, [Young] turns an unflinching eye on both himself and an American society constructed and sustained by racism.” (Washington Post)

“The VerySmartBrothas.com cofounder and senior editor for The Root has already established himself as one of our most vibrant voices on race. Now comes his first book, a blazing memoir in essays.” (Entertainment Weekly, “20 Great New Books to Read this March”)

“One of the freshest, most impor¬tant black voices on the internet.” (Mother Jones)

“Authentic, keen, and touching . . . The beauty of What Doesn’t Kill You Makes You Blacker is that Young never tries to make it easy for readers. . . this timely and powerful book. . . like the work of bell hooks and Roxane Gay, should be required reading.” (NPR)

“A fascinating exploration of how race, class and gender, inform notions of black identity in American life [and] an astute critique of the contours along which black people survive the limitations of historic and systemic racism . . . language is itself a central character.” (Pittsburgh Post-Gazette)

“Readers who know Young’s work from the blog he co-founded, Very Smart Brothas, will recognize his voice, his fondness for lists, his precise, comprehensive and spectacular references to pop culture, his wit and his keen mind.” (Minneapolis Star Tribune)

“Fans of Young’s posts on VSB will recognize the wit, but these essays dig deeper than his typical blog posts. Here, you see his vulnerability and insecurities.” (Pittsburgh City Paper)

“Brave, incisive and witty. . . an essential American voice . . . Young is . . . the American writer who could bridge our racial divide . . . Sometimes as profanely magnificent as a Richard Pryor routine, but just as often droll in the vein of David Sedaris.” (Pittsburg Quarterly)

“With this absurdly trenchant, bouncy, tragicomic, expansive yet intimate book, Damon somehow, someway, made the page bend around my head and heart in a manner I honestly didn’t think the essay or memoir forms were capable of bending.” (Kiese Laymon, author of Heavy)